Abstract: ABSTRACT: This article reviews the implications of two film categories developed in the last few decades (the transnational and post-Westerns) and applies them to two films produced in Ireland and usually not identified as such. After a review of the concepts of post-Westerns and transnationalism, two examples from Afghanistan (The Kite Runner) and Turkey (Once Upon a Time in Anatolia) are provided to illustrate the proposed category. A review of the cultural implications of the West in Ireland follows, with examples from James Joyce’s Dubliners and John Ford’s film The Quiet Man.
Finally, two Irish films (Into the West and Mickybo and Me) are analyzed. These films, like other transnational post-Westerns, make explicit references to American Westerns, establish a dialogue with the original film genre, question its values and assumptions, and, at the same time, probe into the national identities and conflicts of both Ireland and the US.